One more day...
I keep thinking about the kiln. It is probably burning well over 2000 degrees now. When I arrive tomorrow evening, it will be cool enough to empty. Carla has a meeting tomorrow and won't be at class. It will be just me and Jane (who is fantastic by the way) and perhaps Carol.
I get to unload the kiln. Opening the kiln is like Christmas morning. You've spent weeks making what went into the kiln two days earlier, and you never know how it is going to come out. It's a art form that, at times, feels completely out of your control.
Unloading the kiln isn't too hard - just an act that requires full presence. I look at the unloading process in the following way: there are hours and hours of peoples focus and love in that hot oven. When you take each piece out carefully, you look at it, admire it and think about what went into each piece. You must be very careful... very, very careful. When you empty the top shelf, you must remove the shelf below it. I'd guess the shelves weigh about 20 pounds each. Don't bump them, drop them or knock them into anything on the shelf below... and breathe. Remember to breathe.
To make the anticipation all the more stressful, the pitchers I made for Georgia's baptism are on the BOTTOM of the kiln.
Keep your fingers crossed.
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1 comment:
My fingers are crossed although I'm sure they'll not be needed. It must be truly rewarding to seen the end product of your labor of love, to know that there is in every piece you make a little of you. That's why I like "collecting" for I have the odd idea that my home is then filled with the heart and soul of the creator.
I accept your offer of the Tree Platter but insist that if I cannot pay for it you don't have to labor to make one you are proud of.
Strange as it may seem one of the characteristics of the platter as it is is that it is NOT perfect. It is unique, one of a kind and cannot be duplicated. THAT is attractive to me. The design and color add to the piece.
When I was teaching school I often took my classes to a nearby cathedral of the Church of Bethlehem. Among it's features were no nails but wooden pegs. There were no right angles and no two door handles were alike. The reason given is that nothing in this world is perfect and only God is and therefore the cathedral was so built. I always remembered that and I look for art work that is in general "not perfect" flaws are human, unique and desired (at least by me).
I have several pieces by a glass blower friend and with few exceptions they are what he called "rejects". To me they are something I own which no one else does.
Sorry for the length. Perhaps we might exchange email addresses so I can bother you constantly.
What a beautiful family you have. You are, I'm sure you know. Blessed.
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